Screen Cluster of National Significance
CORNWALL & THE ISLES OF SCILLY SHOW POTENTIAL TO BECOME A “SCREEN CLUSTER OF NATIONAL SIGNIFICANCE”, ACCORDING TO NEW REPORT
Unique cultural heritage, ambitious micro-businesses and new studio and workspace plans are growth indicators for the region’s screen industry
HOUSE OF THE DRAGON. Photograph by Ollie Upton / HBO.
A new National Lottery-funded report commissioned by Screen Cornwall and the BFI has found that the screen industry in Cornwall and the Isles of Scilly shows increasing potential to become a “screen cluster of national significance”.
Entitled ‘Catalysing the Cornish Screen Sector,’ the report is produced for Screen Cornwall by Olsberg•SPI and funded by the BFI National Cluster Growth Fund. It points to the region’s recent successes in domestic independent filmmaking rooted in Cornish heritage – notably Mark Jenkin’s BAFTA-winning 2019 debut Bait and 2022 follow up Enys Men, released this month - coupled with its long-standing popularity for location filming that attracts incoming productions like ITV’s 18 year returning drama Doc Martin and international titles like HBO’s House of the Dragon (2022). In addition, the study profiles a skilled and growing regional crewbase, an indigenous community of ambitious microbusinesses and physical infrastructure developments set for completion in 2024/5.
Laura Giles, Managing Director of Screen Cornwall says: “The ambition for sustainable growth for the screen sector in Cornwall and the Isles of Scilly builds on our popularity with production companies and audiences alike, as well as a growing bank of crew and exciting creative talent. We have a rich cultural heritage with a minority language that is rising in profile on screen - Enys Men is particularly significant; a fully indigenous critically-acclaimed feature film developed and produced by a Cornish company.”
The report comes at a time when indigenous Cornish filmmaking, and use of Kernewek, is rising in profile. Edward Rowe’s 2022 writing and directing debut Mab Hudel was the first Cornish language short to be selected for last year’s BFI London Film Festival, and the BBC have just launched their first content in the language on the iPlayer with a collection of four shorts from Cornwall Council and Screen Cornwall’s FylmK talent development scheme.
Stephanie Marshall, BBC Head of Content Production for the West and South West says: “Cornwall’s screen sector is distinctive both within our region and nationally due to its strong Celtic heritage and cultural links, minority language and perspective on the world as an outward looking peninsula with a worldwide diaspora. The BBC is delighted to be bringing these high quality short films to a broader audience and supporting indigenous production and talent development at the same time.”
Against this backdrop of a distinctive regional voice, the Olsberg study found that although the region’s film & TV production crew base is small compared to more densely populated regions - with around 290 professionals registered on Screen Cornwall’s database - it is highly experienced and growing in number, with many having built their skills and networks on long-running shows like ITV’s Doc Martin and Sky’s Delicious over a number of years. Addressing accessibility to the sector for those in a rurally-dispersed region with high levels of socio-economic deprivation is a key feature of the report’s recommendations.
More than 270 companies were found to be active across film, television, video production, equipment hire and digital games. 65 fell under the category of film or TV, and 35 were video games companies ranging from start-ups to more established companies like AntiMatter Games, True Players and Dull Dude. The majority (over 85%) of screen sector companies registered in Cornwall are microbusinesses with two or fewer employees.
KESTAV. Courtesy of Christopher Morris.